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Rembrandts Amsterdam – Golden Times?

Original title
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Book cover – “Rembrandt’s Amsterdam – Golden Times?”
Bartholomeus van der Helst, Die Vorsteher des Kloverniersdoelen, 1655, Amsterdam
Pieter Pietersz, Ein Mann bedrängt eine Frau am Spinnrad, ca. 1560–70, Amsterdam
Nicolaes Eliasz Pickenoy oder Werner van den Valckert, (zugeschrieben) Die Osteologie-Vorlesung des Dr. Sebastiaen Egbertsz, 1619, Amsterdam
Jacob Adriaensz Backer, Die Regentinnen des Burgerweeshuis, 1633/34, Amsterdam
Unbekannter Amsterdamer Künstler, Bildnis des „Malle Baandje“ (Barend Jansz Bode, 1648–1719?), ca. 1700, Amsterdam
Jacob Colijns, Kopie nach Rembrandts Nachtwache, ca. 1653–1655, Amsterdam
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Amsterdam in the 17th century – a city in transition

“The book ‘Rembrandt’s Amsterdam – Golden Times?multi-faceted picture of the Dutch metropolis in the 17th century.This era was characterised by an economic and cultural boom. Amsterdam developed into a world trade metropolis, characterised by the stock exchange, international trade and an influential bourgeois elite. The city was characterised not only by its economic and political power, but also by its promotion of the arts. Monumental group portraits by artists such as Rembrandt and his contemporaries reflect the pride and social fabric of this era. But prosperity was also based on colonial exploitation and social inequalities, as the book impressively shows.

Nicolaes Eliasz Pickenoy or Werner van den Valckert, (attributed)The osteology lecture by Dr Sebastiaen Egbertsz, 1619, Amsterdam
© Amsterdam Museum
Nicolaes Eliasz Pickenoy or Werner van den Valckert, (attributed)The osteology lecture by Dr Sebastiaen Egbertsz, 1619, Amsterdam
© Amsterdam Museum

The heyday of art and society

One focus of the book is on analysing the Amsterdam group portraits, which serve as visual evidence of the social and political structure. These works, which were often exhibited in shooting houses or social institutions such as the Burgerweeshuis or the Aalmoezeniershuis, show the bourgeois elite in honorary positions or representative roles. However, the book goes beyond the glamorous self-portrayal and focuses on the living conditions of the lower classes: Poverty, illness and social control found expression in orphanages, penitentiaries and poorhouses. The juxtaposition of splendid portraits and Rembrandt’s sensitive depictions of beggars and the destitute, which reflect the reality of their lives, is particularly impressive.

Unknown Amsterdam artist, portrait of the "Malle Baandje"(Barend Jansz Bode, 1648-1719?), 
ca. 1700, Amsterdam
© Amsterdam Museum (Leihgabe Spirit Foundation - Roman Catholic Boys' Orphanage)
Unknown Amsterdam artist, portrait of the “Malle Baandje”(Barend Jansz Bode, 1648-1719?),
ca. 1700, Amsterdam
© Amsterdam Museum (Leihgabe Spirit Foundation – Roman Catholic Boys’ Orphanage)

A critical look at the Golden Age

The book scrutinises the term “Golden Age”, which often one-sidedly celebrates the achievements of art and science. Essays by authors such as Tom van der Molen and Norbert Middelkoop shed light on the social and colonial contradictions of this era. They show how the wealth of the elites was based on the exploitation of people and resources and which fates were often overlooked. The detailed image analysis and the inclusion of historical documents make the ambivalences of this period tangible. Rembrandt’s Amsterdam is therefore not only a work of art history, but also a contribution to social reflection on power, social justice and historical responsibility.

Data

Original titleRembrandt’s Amsterdam – Golden Times?
EditorJochen Sander
AuthorsS. Dickey, C. Gannon, N. Middelkoop, T. van der Molen,
A. Reuter, J. Sander, F. Schütt, Kambis Zahedi
PublisherHirmer Verlag
CoverPaperback with flaps
Pages288 pages, 222 illustrations in colour
LanguageEnglish
Dimensions23 x 28 cm
ISBN978-3-7774-4409-3
Price49,90 €

Further information

Further information on the book “Rembrandt’s Amsterdam – Golden Times?” (advertising) can be found on the Hirmer Verlag website.

Compliance

The book was kindly made available to us by the publisher. The presentation and rating of HYPERMADE remains independent of this and is based solely on the content of the book.

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