He was the orphan who invented himself. For fourteen years, Olivier Rousteing turned the house of Balmain into a pop spectacle – a time between genius, hubris, and digital self-worship. Now an era...
With “THE ARCHIVE”, ZARA once again confuses attitude with silence. Between muted colors and controlled silhouettes, it reveals no new aesthetic – only the perfection of fatigue.
Wokeness was once an awakening; today it serves as a backdrop. The line between moral gesture and aesthetic reflex, between attitude and staging, has almost vanished. What remains when awareness...
Today, a single ironic sentence is enough to trigger an investigation. The case of media theorist Norbert Bolz stands less for judicial arbitrariness than for a cultural symptom: we have lost...
The myth is fading. Once a synonym for flamboyance and commercial triumph, Gucci now finds itself in a deeper crisis than any of its major rivals. The era of endless growth is over — and with it the...
